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Image by Ben Griffiths

⏳Oil: A Choreography of Patience

Writer: Cheryl Canning
Cheryl Canning
Apr 21
1 min read

Writer Cheryl Quejada Canning, Sydney. 21 April 2026 1 min read


Excerpt

A meditation on the slow rhythm of oil painting — where patience becomes a form of attention.


Oil: A Choreography of Patience


Working in oil is a slow choreography — a dance of timing, chemistry, and intent. Some sections stay wet for weeks, so you move in circles, returning only when each area is ready to receive the next gesture.


Over time, this rhythm has shaped the way I observe life. Oil teaches me to slow down, to notice the quiet things that usually slip past — the way a sprig of rosemary releases its scent when held, the warmth of late afternoon light, the stillness inside an ordinary moment. These small intimacies remind me that patience isn’t passive; it’s a form of attention.


A sprig of rosemary from the clothesline, resting on the first soft layer of a pastel drawing still finding its shape.

Painting in oil feels like assembling a puzzle you can’t fully see yet. You follow instinct, wait, return, adjust — until the image finally gathers weight and coherence. The pauses are not interruptions; they are part of the work.


This slow circling back, this willingness to stay with something over time, is what gives oil its quiet power. It mirrors the way I move through my days: attentive, patient, open to the subtle shifts that reveal themselves only when you’re willing to look closely. In both painting and living, clarity arrives in layers — revealed gently, in its own time.


Another small moment I’ll return to when the light shifts.


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Acknowledgement of Country

I acknowledge the Gadigal people of the Eora Nation, the Traditional Custodians of the land where I live and create. I pay my respects to Elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples. Land never ceded.

Brown Paper Texture

 

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